Mohammed Zonaid
In a small corner of Camp 1E in Kutupalong Lambashiya, 14-year-old Foyajul Islam nurtures a dream that defies the borders he was forced to cross as a young boy. Originally from Bogyi Choung Village in Buthidaung Township, Rakhine State, Myanmar, Foyajul fled his homeland at the age of seven, his childhood disrupted by violence and displacement. Now in Class 6 at BEHS Kaya Phuri Community School, Foyajul is not only a student but an emerging artist with a passion for illustrating the struggles, resilience, and cultural heritage of his Rohingya community.
Foyajul’s love for art began in Myanmar, where he would sketch with a pencil in his exercise book, on school walls, and even on the walls of his home. His talent was raw but undeniable, capturing the attention of his family members. After arriving in the refugee camp, his older relative, Mohammed Shamim—also an art lover—recognized Foyajul’s talent and encouraged him to continue drawing. This encouragement became a spark for Foyajul, setting him on a path to hone his skills despite the challenging circumstances of camp life.
As his talent blossomed, Foyajul’s artwork began to draw the attention of community members and organizations. He has participated in several art workshops organized by NGOs and competed in various art competitions, winning more than 25 prizes. Through his art, Foyajul captures the essence of Rohingya culture and traditions, portraying life as it was in Myanmar and as it is now in the camp. His work is deeply personal, reflecting not only the genocide that drove his family from their homeland but also the everyday resilience of life in the refugee camp. His drawings resonate with a call for basic rights and justice, highlighting the unyielding spirit of the Rohingya people.
Despite limited platforms for artists in the refugee camps, Foyajul remains committed to improving his craft. His dedication to learning has led him to seek out other experienced Rohingya artists, visiting them to exchange techniques and clarify any artistic doubts. Foyajul has also become a mentor to friends interested in art, teaching more than ten friends so far. His willingness to share his skills reflects his belief in art as a communal strength, something that connects and empowers those around him.
Foyajul’s family stands behind him, supporting his artistic journey in every way they can. He saves a portion of his snack money gifted by family members to buy art supplies, a modest yet meaningful investment in his dream. His ultimate goal is to become a globally recognized artist, a vision that drives him to push beyond the limitations of his current environment.
One of Foyajul’s challenges is his limited access to international art markets. He dreams of sharing his work with a global audience, yet lacks the resources and knowledge on how to achieve this. He hopes to receive training on how to sell his artwork internationally and gain exposure beyond the camp.
In Foyajul’s sketches, his community finds both a mirror and a voice. His journey speaks of resilience, creativity, and a determination to rise above the hardships of displacement. For Foyajul, each drawing is more than just a picture—it’s a testament to his identity and a beacon for his aspirations, painting a future where his art can inspire not only his fellow refugees but the world beyond the camp walls.
